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“So, Georgia, Are Those Flowers Really Vaginas?”

In reading Deborah Solomon’s interesting review of the new book, “My Faraway One: Selected Letters of Georgia O’Keeffe and Alfred Steiglitz”in this Sunday’s New York Times Book Review, I was struck once again by how free literary and artistic men have historically felt to reveal themselves in all their egomaniacal splendor or horror (think Picasso, Hemingway, Styron, Faulkner, Keroac, to name a few) while literary and artistic women have kept silent about themselves (from Austen on).. Steiglitz, the famous photographer and gallery owner, wrote letters that Solomon says “read like an exercise in negative self-salesmanship,” endlessly revealing his hypochondriacal, egomaniacal, wounded self without inhibition to the woman he first hoped to and then did marry.  O’Keeffe, by contrast, throughout their friendship and later marriage “retained her armor of discretion,” Solomon says. She remained silent about her deepest self in these letters–just as she remained silent when critics asked whether those luscious flowers of hers depicted women’s sexual organs.

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